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                                                                                                         A Sudden Language as Body-Absolute:

The preexisting raw material in a somatic event is composed of translatable transitions, - from tactile to meaning, from movement to a semantic urge.

By removing the eye from the camera, giving precedence to a body-spontaneous, these performative self-portraits register linguistic thresholds, while also being agents of an anti-photographic display. They become body-absolute.

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